Wednesday, May 15, 2013

Garden Bloggers' Bloom Day 5.15.2013

Spring has been incredibly slow to arrive this year.  Only now, in mid-May, are we beginning to see the flowering trees and shrubs that usually entertain us in March and April.  Here is a photo of my front entry garden that I took yesterday.
compact Oregon grape holly, Japanese tree lilac, and 'Cameo' quince
This is the same view that I photographed last year for the APRIL 2012 Garden Bloggers' Bloom Day. Although last year was considered an "early" spring, this year we are a good 4-6 weeks behind "normal". (It's all so confusing!)
Same view, April, 2012
If you're curious, here are links to my Garden Blogger's Bloom day posts in MAY 2012 , MAY 2011 and MAY 2007!

It amuses me that a couple of tulips are blooming now that are complete opposites in character.
One is a small (8" tall) species tulip that forms lovely, perennial clusters in the dry prairie garden. The warm, multi-hued colors are cheerful and engaging in a sophisticated way.
Tulipa 'Little Princess'
A fancy, fringed black tulip — located in a more moist setting —  is a bold and beautiful show-off .
Tulipa 'Vincent Van Gogh'
I'm hoping to have many more blooms to share with you in June!

Head over to Carol's May Dreams Gardens blog to find the master list of today's participating bloggers.

Monday, April 22, 2013

Garden Designers' Roundtable: Transitions

There are many extremes in the built landscape:
soft and hard,
light and dark,
vertical and horizontal,
big and small.

Sometimes those contrasts are important.  They catch the eye and serve as focal points, or highlight the distinctive attributes of specific plants or hardscape elements within the landscape.

Sometimes, however, that high contrast is just boring, as in this classic "spruce in the lawn" example:

How does one transition from one extreme to another?  How does one create more visual interest,  movement, and shear lushness in the garden? By employing the design principle of gradation. By definition, "gradation is a sequence in which the contrasting extremes are bridged by a series of harmonious steps."*  In the garden, our "harmonious steps" are . . . plants!  We transition from tall to low or big to small with layers of plants.

A large scale application of this idea looks like this:
The gardens at Kendrick Lake feature drought tolerant plants in an undulating, sculptural design by Greg Foreman for the city of Lakewood, Colorado.

At Denver Botanic Gardens, a more formal style of planting transitions the tall, living juniper wall down to human scale.

Here are some examples of smaller, residential gardens that employ gradation:
Vines, columnar trees, and perennials create a lush look in a narrow space walls and walks. Design by Thunderbird Landscaping.

In my home garden, shrubs and perennials create the transition from fence to lawn.

A simpler execution by homeowner Rochelle Elias.

In a narrow space between fence and walk, elevated container gardens substitute for tall shrubs. Design by homeowner Holly Fliniau

This principle can also be applied on a micro level:
Even small planting beds can benefit from a layering gradation of plants. (Designer unknown.)
Containers, too, benefit from transitional plantings. Design by Denver Botanic Gardens.

As you can see, the use of gradation creates transitions that are full, rich, and lively.  How will you apply this design principle in your landscape?

Read more about transitions in the landscape from my fellow members of the Garden Designers Roundtable by clicking the links here:


Thanks for visiting!
*The Art of Color and Design, by Maitland Graves